Photography: Practice & Theory
“The camera sees more than the eye, so why not make use of it?” – Edward Weston
Information at a Glance
- Evening Class
- Wednesdays 18:00 - 20:00
- 10 weeks: May to July
- 2 hours weekly online taught time
- Tutor: Honey Salvadori
- Fees from £67 to £117
- THIS COURSE IS NOW FULL
*** PLEASE NOTE THIS COURSE IS NOW FULL ***
Photography: Practice and Theory is a practical photography course, delivered online, for people who want to develop an understanding of the fundamental principles of photography. The course is aimed at all levels of experience, so if you've only just started taking photographs, or already have some knowledge of photography, this course will help you to develop your practice.
The course comprises a mixture of online lectures delivered with Microsoft Teams and photographic assignments that you can undertake in or around your home. The assignments are designed to give you practical experience of the technical instruction included in the online lectures and also the working practices that will help you develop your overall photographic technique.
Whilst you are working on your assignments during the week, you will be able to receive one to one tuition via the Printspace Hub file sharing facility (instructions for signing up for this will be provided in the first online session). You will then upload your finished assignments to the Photography: Practice Theory Facebook Group (or a Google Drive folder) ready for a group tutorial in the following online lecture session.
Our aim is that you will end the course with a portfolio of photographic images that can form the foundation of your ongoing individual photography practice.
This programme may be subject to modification
Week 1: Introduction
This will be an introduction to the course in which we will discuss the technical and practical content of the course and what individuals hope to gain from the course. You will sign up to the course social media and will be given your first photography assignment after the lecture.
Week 2: Understanding Your Camera I
We will begin the session with a group tutorial on the pictures that you have produced during the week. This week we will focus on the technical development of cameras and how technology affects the visual representation of our world. We will look at the technology of digital cameras in detail. We will then look at the exposure triangle: Aperture, Shutter Speed and ISO and you will be given a practical task to gain experience of adapting your camera settings to different lighting conditions.
Week 3: Understanding Your Camera II
We will begin the session with a group tutorial on the pictures that you have produced during the week. This week will be the next step in understanding your cameras. In this lecture we will consider camera lenses and depth of field. We will look at the optics of camera lenses and how lenses work with aperture settings to produce depth of field. We will also consider how the choice of lenses affects the overall photograph. You will be given a practical task to help you explore the classroom teaching.
Week 4: Portrait Photography
We will begin the session with a group tutorial on the pictures that you have produced during the week. This week we will consider the genre of Portraits. We will look at the work of several leading practitioners of portrait photography and we will analyse how they go about photographing their subjects. The practical assignment will then challenge you to consider the best technical solutions for portraiture and also to explore the dynamic between you and the people you are photographing.
Week 5: Landscape Photography
We will begin the session with a group tutorial on the pictures that you have produced during the week. This week is focused on Landscape Photography (within your home and garden!). We will be considering a wide definition of landscape images and looking at the work of leading practitioners that have used the genre of landscape for creative innovation. We will also be considering the best technique for landscape and how composition is a fundamental element. You will be introduced to composition concepts and will then be asked to use these in a practical photography task.
Week 6: Reportage
We will begin the session with a group tutorial on the pictures that you have produced during the week. This week is about Reportage and how you can use reportage techniques to create a record of your home life and experiences. We will be discussing concepts that define reportage and considering how leading practitioners use this in their work. You will then be given a practical task that will challenge your observation and quick thinking!
Week 7: Visual Storytelling
We will begin the session with a group tutorial on the pictures that you have produced during the week. In this session we will consider how photographs and video can be used to develop visual storytelling. We will consider how visual language works to create narrative and you will be given an assignment to explore the themes that you have been introduced to in the lecture.
Week 8: Lighting
We will begin the session with a group tutorial on the pictures and video that you have produced during the week. This session will consider how photography can manipulate light by using flash and exposure settings and also photo-editing. We will look at how leading practitioners use these elements. You will then be given a practical task that explores the creative use of flash and exposure.
Week 9: Photography and the Law
We will begin the session with a group tutorial on the pictures that you have produced during the week. In this session we will discuss copyright law and related media issues. We will also discuss our final presentation of the work that you have done on the course.
Week 10: Creating a Website Portfolio
In this session we will set up a shared website portfolio to showcase the work that you have created on the course.
There is no compulsory reading required for this course, and there is no set course text.
After leaving Art School, Honey Salvadori began her career in editorial and commercial photography by working for several press offices, including the London Film Festival, and contributed to magazines including the Face and Time Out.
In the late 1980s she began working for Q magazine which led to a five year long phase of documenting bands on tour with her trademark satirical eye, including Bros, Joe Strummer and the Pogues, Texas (in Texas), the Beautiful South and L7 amongst many others. She also worked for Vox magazine, the Telegraph and Sunday Times magazine during this time.
Honey then went on to spend a decade as a photographer at Channel 4 and the BBC producing promotional photographs for series like the BBC’s Airport and Jailbirds and Channel 4’s Cutting Edge and the Girlie Show. At the same time she contributed documentary features to magazines including Elle, Marie Claire and Italian Moda.
Honey is represented in numerous collections, including the National Portrait Gallery.
Course Fees and Rate Categories
|Hours||Weeks||Standard Rate||Internal Rate||Associate Rate|
|All fee rates quoted are for the whole course.|
Fee Categories and Discounts
- Applicable to all except those who fall under the Internal Rate or Associate Rate category, respectively.
- Applies to current Imperial College students and staff (incl. Imperial NHS Trust, Imperial Innovations, ancillary & service staff employed on long-term contracts at Imperial College by third-party contractors).
- Current Centre for Languages, Culture and Communication (CLCC) staff, current CLCC PhD students, Science Communication (Sci Comm) postgraduate students, and students enrolled on an Imperial College 'Language for Science' degree programme should email evening email@example.com before completing the online enrolment form.
- Students (non-Imperial College)
- Alumni of Imperial College and predecessor colleges and institutes
- City & Guilds College Association members
- Members of the Friends of Imperial College
- Francis Crick Institute staff, researchers and students
- NHS staff (other than Imperial NHS Trust staff)
- Members of the UK Council for Psychotherapy (UKCP)
- Royal Borough of Kensington and Chelsea Council staff
- Harrods staff
- Historic Royal Palaces staff
- Natural History Museum staff
- Science Museum staff
- South London Botanical Institute Members
- Victoria and Albert Museum staff
- Royal Geographical Society staff
- Royal College of Art and Royal College of Music tutors and other staff
- Santander Bank staff (Imperial College Walkway branch only)
- Austrian Cultural Forum staff
- Staff of Exhibition Road Cultural Group (Discover South Kensington) organisations
- Lycee Charles de Gaulle staff
- Tutors and other staff of other universities and higher education institutions
- Tutors and other staff of institution members of the Association of Colleges
- Residents of postcodes SW3, SW5, SW7, SW10 and W8
- Members of the UK Council for Psychotherapy (UKCP)
- Members of the South London Botanical Institute (SLBI)
It is possible to enrol on many CLCC Evening Class and Lunchtime Learning programmes after the course has started. For non-language courses this is subject entirely to agreement by the tutor. For language courses it is subject to agreement by the language Coordinator conducting level assessment. If you want to join a course late do bear in mind there might be work you will need to catch up on, particularly in language courses.
Applicable terms & conditions
Please read these before enrolling on any course.
|Hours||Weeks||Autumn term||Spring term||Summer term|
|20||10||n/a||n/a||w/c 11 May - w/c 13 Jul 2020 (10 weeks)|
Web enrolment starts 1 March
Enrolment and payment run through the Imperial College eStore. Please click on the blue booking link on the relevant course page noting below instructions:
- Our rate categories are explained on the course page and your applicable rate category must be selected on the eStore
- First-time eStore users please create an account by entering an email address and password. These credentials should also be used for future bookings. Imperial College users please note the eStore is not a single-signon College system
- The booking process involves entering payment details before your course choice and applicant details are queried on an in-built questionnnaire which completes the process
- The following email notifications are sent
|What is sent||When is it sent||What does it contain|
|1. Payment confirmation||Instantaneously following submission of your online application||
|2. Enrolment confirmation||Sent in due course but likely not before the end of March. Please treat your payment confirmation as confirmation that your applicant details and payment have been received||
|3. Programme information||Usually sent Friday late afternoon the week before term starts||
|If you need further help with the above information please ring 020 7594 8756
Certificate of Attendance
Our adult education evening and daytime classes do not offer academic credits, but we do offer an attendance certificate to those learners who attend at least 80% of the taught sessions. Eligible learners receive their certificate by email after the end of the course.
Questions regarding the content and teaching of the above course should be sent to the course tutor, Ms Honey Salvadori, firstname.lastname@example.org
If you have enjoyed this course, why not look at other arts and humanities evening class courses at Imperial College. This includes courses on the history of western art from ancient Greece to the nineteenth century, Understanding Modern and Design, the history of film and cinema and Greek and Roman mythology in art. We also run practical courses in art and photography and creative writing classes, and a growing programme of science based evening classes.