The Great Exhibition Road Festival
2026 PROPOSALS PROCESS GUIDANCE
Father and son crafting at Great Exhibition Road Festival
Father and son crafting at Great Exhibition Road Festival
Introduction:
The Great Exhibition Road Festival is Imperial’s flagship public event, held in collaboration with cultural icons like the Royal Albert Hall, Science Museum, and V&A. It celebrates Exhibition Road as a hub for science and the arts.
In 2025, over 55,000 visitors enjoyed workshops, live music, performances, and hands-on experiments.
The Festival returns on 6–7 June 2026, running 12.00–18.00 daily.
This year marks 175 years since the 1851 Great Exhibition, the first World’s Fair, which drew a third of Britain’s population and funded many of South Kensington’s cultural institutions – including Imperial College London and its museum partners. Plans to commemorate this milestone and opportunities for Imperial teams to contribute will be shared below.
Before submitting a proposal, we strongly recommend you read this guidance document, which sets out the support available to you before and during the Festival, details the audiences that we want to attract, and the experience we want to give them (and yourselves as potential exhibitors). It also covers specific opportunities for Imperial staff and students to get involved in the Festival programme, as well as the roles and responsibilities that come with submitting a proposal.
1. Aims of the Festival
2. Available support
a. During the proposal process
If (after reading this guidance document) you would like to discuss your Festival ideas further, we would recommend you join our online Great Exhibition Road Festival advice session, taking place on Monday 20 October, 13.30–15.00. At this event you can hear all about the Festival from its organisers, learn about the proposals process, and receive feedback on your initial ideas and answers to any logistical questions you may have.
If the above session (and this guidance document) still leaves you with questions, you can also book a one-to-one advice session with the Festival programming team.
We understand that online forms such as the one used for the Festival proposals process can present a barrier for certain people. If that is the case, we are open to receiving your proposed ideas over email, over the phone, or during an in-person meeting.
Please contact James Romero, Public Engagement Programmes Manager, if any of those options are preferable (email: j.romero@imperial.ac.uk).
a. During the proposal process
If (after reading this guidance document) you would like to discuss your Festival ideas further, we would recommend you join our online Great Exhibition Road Festival advice session, taking place on Monday 20 October, 13.30–15.00. At this event you can hear all about the Festival from its organisers, learn about the proposals process, and receive feedback on your initial ideas and answers to any logistical questions you may have.
If the above session (and this guidance document) still leaves you with questions, you can also book a one-to-one advice session with the Festival programming team.
We understand that online forms such as the one used for the Festival proposals process can present a barrier for certain people. If that is the case, we are open to receiving your proposed ideas over email, over the phone, or during an in-person meeting.
Please contact James Romero, Public Engagement Programmes Manager, if any of those options are preferable (email: j.romero@imperial.ac.uk).
b. If your proposal is successful
If your Festival proposal is successful, you will be contacted early in the new year with details of your Festival point of contact and a specific location across the Festival site where you will be based. You will also be invited to two meetings that at least one member of your Festival team will need to attend.
1. Intro to your Festival Zone Manager (mid-late January)
You will be introduced to your Festival Zone Manager via a short Microsoft Teams call with everyone else in your Zone. The call will cover:
1. the key paperwork you will need to fill in over the next 4–5 months
2. the deadlines you will need meet to submit the paperwork
3. some general advice around turning your initial idea into a fully realised and successful Festival activity
We would expect the person taking the lead on each successful Festival proposal to attend these sessions, though other members of the team are also welcome to join.
2. A communications and engagement skills workshop (throughout late April-early May – exact dates TBC)
This half-day, in-person workshop will run numerous times in the late spring/early summer and will focus on:
1. sharing practical tips and effective strategies to communicate scientific ideas and prompt discussion confidently and creatively with the public
2. improving the quality of dialogue taking place at exhibits
3. highlighting key considerations to ensure your exhibit is as accessible and inclusive as possible for a diverse Festival audience
We require one or two members from each team to attend. Ideally these would be individuals who are less experienced in engagement and who have not attended similar training previously.
3. Audiences
The Festival draws a diverse audience of all ages and science interests. While London-based families remain central, 2025 saw an even split between family groups and adult-only visitors. Cultural and museum partners offer lots of family-friendly events, but we also aim to engage teens, young adults, and solo adults.
Under-represented audiences
By digging into the data of who has come to previous Festivals, we have identified specific audiences who are under-represented in the current Festival demographics (see list below).
If your team is particularly keen to engage (or is already engaging) one or more of these under-represented groups, or believe your Festival ideas could be particularly engaging for one or more of these audiences, please make that clear in your proposal.
Under-represented audiences
By digging into the data of who has come to previous Festivals, we have identified specific audiences who are under-represented in the current Festival demographics (see list below).
If your team is particularly keen to engage (or is already engaging) one or more of these under-represented groups, or believe your Festival ideas could be particularly engaging for one or more of these audiences, please make that clear in your proposal.
African and/or Caribbean audiences
The proportion of visitors that identify as belonging to this group who attend the Festival is significantly lower than the 14% from across London that identify as belonging to these communities. London is a diverse and culturally mixed society and we want the Festival audience to reflect this. There are also large communities of Black African and/or Caribbean communities in the three boroughs most local to Imperial.
Local audiences
We have historically experienced a lower Festival turnout from the most under-served parts of the three boroughs that Imperial College London work hard to engage with: mainly those living in the northern wards of Hammersmith and Fulham, Kensington and Chelsea, and Westminster.
Young people
Young people aged 13-25 have stated in the past that they don’t feel like they have a space at the Festival, which is why we created a zone specifically for this age group. It will return in 2026, co-produced once again with 5–6 local young people who help us to understand how to best engage their age group. More details about what works well for this audience in our NextGen Zone can be found in Section 5.
Young people
Young people aged 13-25 have stated in the past that they don’t feel like they have a space at the Festival, which is why we created a zone specifically for this age group. It will return in 2026, co-produced once again with 5–6 local young people who help us to understand how to best engage their age group. More details about what works well for this audience in our NextGen Zone can be found in Section 5.
People with disabilities
One visitor group that are not necessarily under-represented but require additional consideration in your Festival activity are people who identify as disabled. This also includes people who identify as neurodivergent – i.e. someone who processes information differently, such as those living with dyslexia, autism, ADHD, and more. To cater for neurodivergent families and other visitors with similar needs, we have established a popular, relaxed, early morning slot on the Sunday of the Festival weekend.
However, it is important that all our participating teams consider the needs of the neurodiverse community, and people with disabilities more generally in the accessibility of their Festival activity. A good place to start is Imperial’s own EDI pages on dyslexia and neurodivergence.
4. Confirmed parts of the Festival programme
Whilst the Imperial Public and Community Engagement Team tries to allow the activity ideas proposed each year to steer much of the Festival programme, there are certain elements we have committed to already – either because they have proved popular in the past, or because we are keen to freshen up the Festival each year and challenge our community with new formats.
To make it easier for the organising team, the Festival proposal form gives you an opportunity to tell us which, if any, of these pre-agreed parts of the Festival programme you would be happy to be part of. To help you answer that question, below is a bit more detail on the plans for these zones/areas of the Festival.
Confirmed Programming
NextGen Zone
This zone is aimed at ages 13–25 and will be hosted in the Science Museum's Smith Centre. This zone doesn’t have a theme, but a vibe. In previous years the Young Producers (the young people that co-produce this zone) have been drawn to interactive/hands-on activities where young people can actively get involved (even better if they can take home what they create!) and exhibits on topics that feel relevant/current to young people. Food related activities are always popular if free samples are available to try. If you are not only interested in being part of this zone but also interested in co-producing your exhibit with the Young Producers, please state that in your application.
Adults Only Zone
Our 18+ space will return to Imperial Student Union’s Beit Quadrangle in 2026 with ambitions to grow the zone whilst maintaining that same calmer, more reflective atmosphere that adult visitors welcomed in the 2025 Festival evaluation. Just because the zone is for adults only doesn't mean its visitors don't want to have fun whilst learning about Imperial research, or to be given chances to get hands on and be creative.
Family Fun Zone
This outdoor zone is programmed within a series of lawn-based marquees, and a family performance stage. It is attended predominantly by parents with children under 12, and there will be a dedicated space for under 5s who need their own specific type of activities. It's important that teams in the family zone have creative, hands-on activities to bring their science to life for this younger audience. However, don't forget about the parents as well. There are always opportunities to engage them while the children play.
Eureka Zone
We will once again be celebrating Imperial research projects that involve partners from across Europe. In the Festival proposals form we ask about external collaborators. Please let us know here if your activity relates to research carried out in collaboration with European Institutions, or with funding from the Horizon Europe programme.
Be A Scientist Zone
This zone was piloted in 2025 to support Festival activities incorporating public input into academic practice – from co-creations with non-academic partners, to citizen science and live data collection. We know many Festival attendees enjoy being consulted or involved in active research so let us know if you are keen to use your time at the Festival in this way. You can read more about how teams used participatory approaches at the 2025 Festival here. If you are interested in participatory research, please sign up to our next Public Engagement Masterclass on this topic.
Exhibition Road
For the Festival weekend, this central road is brought to life through a Main Stage and a collection of outdoor marquee spaces that attract a very diverse range of audiences – from families to adult-only groups. These are often occupied by mass participation, high throughput experiences and workshops that are best suited the busiest part of the Festival site.
Imperial College Road
This road is another outdoor space where marquee spaces are available for workshops and exhibits. While marquees will again experience large crowds, there is more of an opportunity here than on Exhibition Road for teams to run timed rather than exclusively drop-in workshops for discreet dedicated groups of people at a time (see Workshops part of section 7 below for more details).
5. Responsibilities of participating teams
By submitting a Festival proposal, you are entering into an agreement that you will accept certain responsibilities associated with your proposed activity.
Good communication with your Festival point of contact
Each team is assigned a Festival Zone Manager as their go-to-contact from January to the Festival in June. At a 1-hour kick-off meeting, they will introduce themselves, give you information about the Zone you have been placed in and details on upcoming deadlines and support available. They will also later provide feedback on your proposal before collating the logistical and operational information on your activity in order to provide each team with the best possible location and equipment to ensure the best outcomes.
After any initial meetings or proposal feedback emails we ask that you:
1. stay in contact with your Festival Zone Manager over the 6 months leading up to the Festival
2. promptly reply to their requests for paperwork updates.
3. proactively inform them of any changes in the makeup of your team or what you can deliver over the Festival weekend
Organise a sufficiently large team to deliver your activity
The Festival can be tiring so if you are proposing an exhibit stand or workshop, it is vital you can call upon sufficient human resources. For a single exhibit table, we would expect at least 3–4 members of your team to be engaging the public at any one time during the busiest periods of the Festival. Add in breaks for lunch and to see the Festival, we would expect a minimum of 6 volunteers across the Festival weekend.
Organise a practice session and run-throughs
In the weeks leading up to the Festival, your Zone Manager might get in touch to organise in-person run-throughs. Please make time to attend and invite as many of the team who will be working with you over the weekend. If you are giving a talk, we hope you would have written most of your talk by the time of the run-through so your Zone Managers can provide useful feedback on the structure and audience appropriateness of your presentation.
Meet your deadlines in the Festival timeline
Below is a table covering key actions and dates for the 2026 Festival. When you meet your Festival Zone Managers in January, we will provide a more detailed timeline with deadlines allocated to specific days. Please keep to these deadlines.
|
Action |
When? |
Notes? |
|
You will receive a response on whether your activity can be accommodated within the 2026 Festival programme |
January |
Whilst we try our best to accommodate as many teams as possible each year, the Festival site has a limited capacity. For those unable to take part, we are committed to helping those teams deliver their activity at future Festivals or other public engagement events throughout the year. |
|
Festival proposal leads to attend an online kick-off call with their new Festival Zone Manager |
Mid-late January |
These calls will focus less on the details of your ideas and more about the logistical and operational considerations of the space you have been allocated, as well as a more detailed list of the paperwork you will need to complete and deadlines for submitting them. As a result, only the people leading on the Festival proposal need to attend. |
|
Approve copy and key info for Festival website and/or printed programme |
End of February |
Relevant only to teams proposing talks, workshops, installations, performances or shows. Your Festival Zone Manager will provide templates for you to fill in, or first drafts of text for you to feedback on, by mid-February. |
|
Submit completed risk assessment form signed off by a department safety role. |
Early April |
A risk assessment template and guidance document along with filled-in examples from previous years will be shared in the new year. |
|
One or two members of your team to attend the Public Engagement training session/workshop |
Mid-April to Mid-May |
This workshop will be held in person, in both South Kensington and White City. There are several dates to choose from and a booking link will be shared with you. |
|
Confirm requirements around overnight storage of Festival equipment |
Early May |
There is limited space for overnight storage so requests will be dealt with on a case-by-case basis (with priority given to non-South Kensington teams based at other campuses) |
|
Submit final list of exhibiting names, CID numbers and dietary requirements for lunch |
Early May |
A lunch order template will be shared by your Festival Zone Manager in the new year. Lunch is only available to individuals volunteering for half a day or more across the weekend. |
|
Confirm details of any vehicle drop-offs or collections during Festival set up or break down |
Early May |
Ideally any equipment should be dropped off on the Friday, or the week leading up to the Festival, and collected on the Sunday night/Monday morning. |
|
Confirm details of any parking spaces required |
Mid-May |
Please be aware that parking spots over the weekend will be extremely limited. Spaces are allocated on a first-come, first-served basis so please tell us as soon as you can. |
Co-promote your event locally and on social media
The Festival benefits from everyone involved getting behind it and sharing invites with all their friends and families. Towards the end of spring/start of summer we will provide marketing materials with registration links for you to share over email, across social media or even on WhatsApp groups.
Plan your set up, pack down and the staffing of your activity
In the months leading up to the Festival, you will be allocated a slot to set up your activity ahead of the Festival opening. Please make best use of this time. This should include testing all electronic and internet connected devices in situ. If there are likely to be any challenges transporting equipment over the Festival weekend, please raise these with your Festival Zone Manager in good time. The Festival operates under the agreement that our campus and Exhibition Road are back to normal operations by Sunday night, so please ensure your pack down plans take this into account.
Take full responsibility for the health and safety of your event
As always, everyone delivering any type of activity across the Festival weekend will need to fill in a risk assessment form, which will be provided by your Zone Manager in the new year. It is your responsibility to not just fill in this form and get it signed off by a departmental or faculty level safety officer, but also to ensure any mitigating actions are adhered to over the weekend. If you expect your activity to be high-risk, please flag this with your Zone Manager as early as possible.
6. What we are looking for in the 2026 Festival proposals?
Each year we evaluate the Festival and collect feedback from exhibitors, visitors, and volunteers to find out what they most valued. Based on this, and the Festival aims listed above, we have the following suggestions for teams wanting to take part in 2026. Whilst we are not expecting each proposal to include all the elements below, we recommend at least considering how you might incorporate each into what you are submitting.
We would also strongly recommend teams consult the variety of engagement toolkits and resources that have been developed by Imperial’s Public and Community Engagement team. Some of the most relevant ones for different types of activities are linked to in the final section of this guide.
Ideas linked to specific areas of the Festival site
Once we have received all proposals, we will group them into themed zones across the Festival site. This guide has identified above some specific locations and themed areas that will form part of the 2026 programme. Please make it clear in your application if your activity fits into any of these pre-agreed parts of the Festival programme. There is still plenty of room for ideas outside of these pre-agreed themes if your idea doesn’t fit.
Ideas that tell stories linked to the Great Exhibition of 1851 or the collective 175-year history of the area
Whilst the 2026 Great Exhibition Road Festival is not a history festival, Imperial and the Festival partners will be marking the anniversary and celebrating our collective South Kensington history in various ways across the event. As a result, we would be very interested to hear if Imperial teams are able to make any links between the Festival activity you are proposing and the Great Exhibition of 1851 – perhaps in terms of a particular exhibit/exhibitor, or attendee that was present back in 1851, or by drawing the story of your research back to that Victorian period. We would hope each team might at least consider any historical narratives that could be brought out in their planned activities.
Programming for under-represented audiences (see list above)
This can come in many forms. Broadly, we would welcome proposals that are targeted specifically at under-represented communities. This could be linked to our Festival visitors, as well as those aiming to showcase members of the Imperial community who are themselves representatives of marginalised or under-served communities. If a proposal also aims to celebrate a scientist or academic (Imperial affiliated or external) from an under-represented group who influenced them and/or their field, that would also be warmly welcomed. We would also welcome proposals from Imperial’s EDI networks to profile and platform Imperial staff and students from under-represented communities in workshops or talks.
Science and art collaborations
In surveys, our visitors frequently comment on the unique interaction between the arts and sciences – particularly in relation to creative workshops, striking public art, immersive experiences or live performances. If you already have a creative collaborator in mind, that's great. If not, we can help identify someone to work with you. With a local agenda part of our planning for the 2026 Festival (see below), we would particularly welcome proposals that involve collaborations with local artists or creative collectives.
Collaborations with the local community
As mentioned above, the Festival has historically experienced a lower Festival turnout than we would like of local audiences. As a result, we are particularly keen to give a platform to any Imperial projects that are working with nearby communities or community groups. Our hope is that these proposals would not simply involve an Imperial team reporting on the success of any collaboration, but involve inviting the local collaborators to the Festival to help tell the story of this partnership.
Immersive or reflective experiences
In many of the indoor venues, we have access to secluded or closed off areas or rooms which are perfect for individual teams to take over and create immersive experiences or chilled out environments for a different type of engagement with Imperial research. We would be keen to work with any teams who have ambitions to create this type of experience for our Festival visitors – and again, there is the option for us to commission experienced immersive/installation artist to work with you.
Contributions to a participatory research culture
As mentioned above, we know many Festival attendees enjoy being consulted or involved at any stage of a research cycle. Our Be a Scientist Zone will provide a home for projects that contribute in any way to a more participatory culture around Imperial research. However, we would hope all teams consider how they can listen and learn from the public as part of their proposed Festival activity.
Ideas with media hooks or the launch of new institutions or facilities
Our Festival PR team want to find exhibiting Imperial teams or speakers that have new papers or announcements tied to the research that would be shown at the Festival. It is also helpful to know about any unique visual/interactive elements of the Festival that journalists could experience ahead of the Festival weekend.
Programming for under-represented audiences (see list above)
This can come in many forms. Broadly, we would welcome proposals that are targeted specifically at under-represented communities. This could be linked to our Festival visitors, as well as those aiming to showcase members of the Imperial community who are themselves representatives of marginalised or under-served communities. If a proposal also aims to celebrate a scientist or academic (Imperial affiliated or external) from an under-represented group who influenced them and/or their field, that would also be warmly welcomed. We would also welcome proposals from Imperial’s EDI networks to profile and platform Imperial staff and students from under-represented communities in workshops or talks.
Science and art collaborations
In surveys, our visitors frequently comment on the unique interaction between the arts and sciences – particularly in relation to creative workshops, striking public art, immersive experiences or live performances. If you already have a creative collaborator in mind, that's great. If not, we can help identify someone to work with you. With a local agenda part of our planning for the 2026 Festival (see below), we would particularly welcome proposals that involve collaborations with local artists or creative collectives.
Collaborations with the local community
As mentioned above, the Festival has historically experienced a lower Festival turnout than we would like of local audiences. As a result, we are particularly keen to give a platform to any Imperial projects that are working with nearby communities or community groups. Our hope is that these proposals would not simply involve an Imperial team reporting on the success of any collaboration, but involve inviting the local collaborators to the Festival to help tell the story of this partnership.
Immersive or reflective experiences
In many of the indoor venues, we have access to secluded or closed off areas or rooms which are perfect for individual teams to take over and create immersive experiences or chilled out environments for a different type of engagement with Imperial research. We would be keen to work with any teams who have ambitions to create this type of experience for our Festival visitors – and again, there is the option for us to commission experienced immersive/installation artist to work with you.
Contributions to a participatory research culture
As mentioned above, we know many Festival attendees enjoy being consulted or involved at any stage of a research cycle. Our Be a Scientist Zone will provide a home for projects that contribute in any way to a more participatory culture around Imperial research. However, we would hope all teams consider how they can listen and learn from the public as part of their proposed Festival activity.
Ideas with media hooks or the launch of new institutions or facilities
Our Festival PR team want to find exhibiting Imperial teams or speakers that have new papers or announcements tied to the research that would be shown at the Festival. It is also helpful to know about any unique visual/interactive elements of the Festival that journalists could experience ahead of the Festival weekend.
7. Types of contribution
The Festival proposals form lists seven different types of experiences that we could offer visitors in 2026, as well as an ‘other’ option for ideas that don’t fit into these categories.
Here we describe each in a bit more detail:
Interactive exhibit/Hands-on Demonstration
This is a permanent activity that occupies a space within the Festival site throughout the weekend. These are staffed by the teams who create them and bring visual and/or interactive components that will help to tell the story of an area of research.
Relevant resources and guides:
How do I design hands-on activities?
How can I engage through games and play?
Shows
Festival shows take place in a lecture theatre but are more interactive and dynamic than a talk. Aimed at a family rather than specifically adult audience, they often have more in common with a Christmas lecture at the Royal Institution than a TEDx talk, with a central story illustrated through audience interaction and live experiments. Due to their popularity, they are often repeated several times a day across the Festival weekend. Like workshops, interested Imperial teams will often be paired with an experienced storyteller and/or show developer to create a memorable performance.
Relevant resources and guides:
How do I organise a science performance?
Installation/Exhibition
Like an exhibit, an installation is a permanent feature of the Festival, but does not necessarily need to be constantly staffed, and often takes a more artistic or creative approach to introducing the research topic. Installations might include immersive experiences, interactive sculptures, escape rooms, art exhibitions or photography displays linked to Imperial research.
Relevant resources and guides:
How do I create a science exhibition?
Workshop
Workshops give members of the public a chance to get involved in making, creating, or doing. ‘Making’ workshops can involve the public creating something that they take away or leave behind as a growing installation, whilst ‘doing’ workshops can be performative or skills based, such as dance or movement classes, or reflective and introspective, supporting the public to think about a subject in a new way. Teams interested in delivering a workshop can get paired with artists or experienced creative professionals to help develop and/or deliver the activity.
Relevant resources and guides:
How do I use arts-based methods in research?
Stage performance
The Festival has numerous stages and tents which are open to proposals from both professional and amateur performers. We are always keen for ideas that include audience interaction and/or where music or dance can be used to illustrate areas of Imperial research.
Roaming performance
We are keen to bring Exhibition Road and Imperial College Road to life wherever possible, and one of the best ways to do this is organising mobile demos or exhibits that can move up and down the road. The roaming act itself can be the science storytelling device, or it can be attached to a workshop where the public help contribute to the roaming acts' performance. Roaming performers will be given a wet weather back-up location.
Talk or discussion
Festival talks give a predominantly adult audience (16+) a chance to hear about a particular subject in a bit more depth. They must be developed and delivered for non-experts with a publicly appealing title. As well as individual speakers, we are always interested in panel sessions that bring speakers from different backgrounds together to discuss a single topic. Discussion panels need to be diverse in as many ways as possible and can include external speakers – ideally from the Festival partnership or the local community. If you'd like to give a talk at the Festival, please read our guide on how to give an engaging talk.
The 2026 Great Exhibition Road Festival will feature four talks programmes running throughout the two days:
Spotlight Talks
Exploring big issues, highly topical events or widely appealing trends, whilst often looking at science or technology topics in their wider context e.g. their potential broader societal impact.
Art of Science
Here we explore individuals, projects or initiatives that blur the traditional lines between science and the arts. We also bring together panels of people from the creative and scientific sectors to discuss topics of common interest.
Science Cabaret
In our Adults-only Zone, straight up science stories are brought to life through creativity, whether it's through competitive games, live performance, or fun-filled audience participation.
Future Food Live
On Imperial College Road, chefs and scientists create innovative dishes for the public to sample whilst telling accompanying stories – e.g. tales related to food science, gut health or nutrition.
8. Support offered for different types of content
The central Festival team will provide different types of support to teams depending on the nature of the activity. While there will always be exceptions to the rules listed below, this table gives a sense of what you can expect from the central Festival team for each type of Festival content listed above.
|
Talks |
Workshop |
Exhibit |
Installation |
Stage performance |
Roaming performance |
Show |
|
|---|---|---|---|---|---|---|---|
|
Support and advice from our programming team |
Yes |
Yes |
Yes |
Yes |
Yes |
Yes |
Yes |
|
Provision of furniture and electrical equipment |
Yes |
Yes |
Yes |
Yes |
Yes |
Yes |
Yes |
|
Pre-event promotion of your Festival activity |
Yes |
Yes |
Maybe |
Maybe |
Maybe |
Maybe |
Yes |
|
Capturing of your activity in official Festival photography and videography |
Maybe |
Maybe |
Maybe |
Maybe |
Maybe |
Maybe |
Maybe |
|
Event management staff to help in your activity delivery |
Yes |
No |
No |
No |
Yes |
No |
Yes |
|
Ticket office/Pre-registration managed by the Festival |
Maybe |
Maybe |
No |
No |
No |
No |
Yes |
|
Material costs covered by Festival |
N/A |
Maybe |
No |
Maybe |
Maybe |
No |
Yes |
|
Fees for external speakers or artistic collaborators covered by the Festival team |
Yes |
Maybe |
No |
Maybe |
Maybe |
Yes |
Yes |
|
Your activity will be featured in the Festival printed programme |
Maybe |
Maybe |
No |
Maybe |
Maybe |
No |
Maybe |
|
Your activity will be featured in the Festival online programme |
Yes |
Yes |
No |
Maybe |
Yes |
Maybe |
Yes |
|
And in return... |
|||||||
|
Expected delivery time across the weekend |
Up to 1 hour |
2 full days (minus time for resetting) |
2 full days |
2 full days |
Up to 30 minutes performance – perhaps repeated 2–3 times |
Minimum of 3 hours of performance each day |
30–40 minute show repeated 3–4 times each day |